At WSJ on Tinariwen’s Live in Paris

‘Live in Paris’ by Tinariwen Review

Songs that long for peace and independence sound as if a group of Otis Redding acolytes were singing in a West African language

Tinariwen in the concert recorded for their latest album. ENLARGE
Tinariwen in the concert recorded for their latest album. Photo: Antoine Carlier

Tinariwen combines familiar sounds with an unusual origin story.

Live in Paris

Anti-

The group, whose name loosely translates as “Deserts,” comprises eight or nine members (its size varies) of the Kel Tamasheq (aka Tuareg), a nomadic people who have inhabited the Sahara on land now within the borders of Algeria, Libya, Mali, Niger and Burkina Faso.

Tinariwen’s sound is utterly mesmerizing; it features layers of rhythmic clapping; a deep grooving bass line; hand drums; ringing, bluesy guitar lines and gritty male harmonies. It’s as if a group of Otis Redding acolytes were singing in a West African language. Their songs are about longings for peace and independence.

Their new recording “Live in Paris” (Anti-) documents the final show of a 130-stop tour, and it captures their concerts’ energy vividly. The recording features Lalla Badi, the 75-year-old Tuareg singer, on three tracks, and her husky voice makes a nice complement to the various lead singers and harmonies of Tinariwen. Two other highlights are “Tamatant Tiley” and “Toumast Tincha,” each a track that combines the group’s appealing rhythms with stinging, pungent guitar licks reminiscent of early tracks from Neil Young and Crazy Horse. These numbers are emblematic of the appeal of Tinariwen; they embrace musical traditions ranging from Algerian Raï and Malian Takamba to classic rock and soul with the greatest of ease.

Tinariwen was founded more than 20 years ago by Ibrahim Ag Alhabib, who became obsessed with guitar after seeing one on TV in a western. He built his first instrument using a tin can, a stick and a bicycle brake cable.

During the late ’70s, Mr. Ag Alhabib fell in with a group of musicians exploring local music as well as that of international acts like Led Zeppelin, the Jimi Hendrix Experience and Santana. The Sahara is an area plagued by episodes of sectarian violence, and Mr. Ag Alhabib spent much of the ’80s engaged in military action. After the Tamanrasset Accords, a 1991 peace agreement, he and several friends put down their guns and took up music full time. During the ’90s, they gained a following in the Tuareg communities of North Africa. After a cassette reached producers in France, they became popular world-wide in the past 15 years. They have recorded six albums and attracted such collaborators as guitarist Nels Cline, violinist Fats Kaplin, and members from the Red Hot Chili Peppers, TV on the Radio and Chavez. Their 2011 recording, “Tassili” (Anti-), won a Grammy Award for Best World Music Album.

Each of Tinariwen’s recordings have been compelling, but their live shows are magical celebrations.

Mr. Johnson writes about jazz for the Journal.

Advertisements

About jmartin437

I've worked in and around the world of high end cheese for 27 years. I've been everything from a department manager who hired and fired and trained staffs to a weekend warrior who shows up ties on an apron the middle of a rush and talks to customers and cleans up the place. I enjoy it all, and I especially like my current situation conducting informal seminars about cheese at area bars and in class at the 92nd St. Y. The current schedule is always up at thejoyofcheese.blogspot.com. In addition I conduct private events that are perfect to lead off birthday parties for foodies and sommeliers and also they make great entertainment for corporate team building events and associates meetings at law firms. In addition, I've been a freelance journalist for 27 years. Currently my profiles of leading musicians and filmmakers appear in the Wall Street Journal and www.theroot.com. I also wrote about sports for the Root, and for five loooong years, which included the entirety of the Isiah Thomas Knicks era, I wrote about the NBA for the New York Sun. I enjoyed writing about basketball so much that I now do it here at rotations for free.
This entry was posted in Uncategorized. Bookmark the permalink.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s