Category Archives: Archives

At WSJ on Matt Mitchell’s A Pouting Grimace

‘A Pouting Grimace’ by Matt Mitchell Review: Crossing Stylistic Borders With Ease The pianist and composer offers his most complex and sprawling work yet on an album that showcases the influence of con mporary classical music and unique harmonies. Pianist … Continue reading

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Can You Have a Relationship in New York City Without Dating

This spring I met somebody…somebody special.  But we’re both New Yorkers and these days you have to work almost 24/7 to keep a job and keep your head above water.  We like each other a lot but there’s been almost … Continue reading

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At WSJ on Matt Wilson’s Honey and Salt

‘Honey and Salt: Music Inspired by the Poetry of Carl Sandburg’ Review Drummer and composer Matt Wilson’s new album does more than wed words to music—it points toward a new kind of jazz recording.   Drummer and composer Matt Wilson PHOTO: JOHN … Continue reading

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At WSJ on Tyshawn Sorey’s Verisimitude

MUSIC REVIEW ‘Verisimilitude’ by Tyshawn Sorey Review: Building a Bridge From Jazz to Classical Drummer, pianist and trombonist Tyshawn Sorey offers a somber, austere album influenced by Claude Debussy, Morton Feldman and Iannis Xenakis. Tyshawn Sorey’s new album is ‘Verisimilitude’ PHOTO: JOHN … Continue reading

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Charles Bradley R.I.P

Six years ago, I wrote on Bradley who passed away today. He was one of my favorite feature subjects. CULTURE A Dream 48 Years in the Making 62-Year-Old Soul Singer Charles Bradley Is Set to Release His First Album By … Continue reading

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At WSJ on the new Roscoe Mitchell

ARTS  MUSIC REVIEW ‘Bells for the South Side’ by Roscoe Mitchell Review: A Life in Jazz A live recording amounts to a a retrospective of the 76-year-old multi-instrumentalist and composer’s work. Multi-instrumentalist and composer Roscoe Mitchell PHOTO: ELVIRA FALTERMEIER By Martin Johnson July … Continue reading

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At WSJ on the new Linda May Han Oh Recording: Walk Against Wind

ARTS ARTS IN REVIEW MUSIC REVIEW ‘Walk Against Wind’ by Linda May Han Oh Review The bassist and composer’s third recording in a predominantly quartet setting helps focus attention on the evolution of her writing and improvising. Linda May Han … Continue reading

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